1. Image A.
To achieve the lighting in this photo we had the fill light on brightly and the backlight on at half the brightness of the fill light. This photo turned out too bright compared to the lighting in the original photograph because the lights were on a bit too brightly and the light is reflecting off of the board behind.
Image C
The lighting in this photo is really terrible. We just used the key light for this photo.The lighting is meant to just be directed onto the face, leaving the rest of the frame in darkness however, our light was too far away from the person's face which made the light reflect off of the white board in the background. Also, we positioned the light at eye level with the person, whereas it should have been below the face.
2.Silhouette effect
To achieve this effect we used the backlight on it's own positioned behind the subject.This lighting effect was the easiest for us to achieve.
Examples of...
Frontal Key Light Only
This effect is quite natural, however the lighting is very strong which is good for showing the character's facial expression
Key Light and Fill
This creates a very natural effect which is quite soft and would be used in unthreatening scenes and in conversation
Bottom up lighting only
This effect is very dramatic and quite scary. It is good for distorting the face and creates a threatening feeling.
Top Lighting Only
This effect is also dramatic and like the bottom lighting only it distorts and hides parts of the face.
Side Light Only
This effect is dramatic and helps to give the shot depth instead of looking like a flat image. It also brings attention to one part of the shot
Backlight Only
By Colette. Photos by Rhiain. Lighting by Charlie and Colette :)
good guys, however it does reveal a wider issue that you have in framing. If you look closely, the way that you have composed and framed this, you are only getting about one seventh of the frame filled with the actual subject. You end up with lots of boring irrelevancies within the frame as a result. Be very ware of this when it comes to shooting your cw. I am concerned about this. Who does your camerawork in the group - perhaps swap it around a bit?
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